Supported by generous help from the Turnovsky Endowment Trust

Masses in times of war celebrated by the Bach Choir under Ivan Patterson

With a great line-up of soloists and some marvellous music to sing, the stars were lined up well for the Bach Choir’s concert.  A sizeable audience was present to hear them.  The title for the concert derives from the fact that both masses were written under the stress of wartime conditions: Napoleonic Wars in Haydn’s case and the Russians beating back the Nazis in Budapest in 1943 in Kodály’s... read more

Handel’s Messiah – music as a living entity

By , 09/12/2017
This was a most interesting “Messiah”, containing as it did a number of interpretative and executive detailings I wouldn’t quite frankly have expected to encounter in the same single performance. Of course, for me to actually say that goes against the grain of what I’ve always felt about Baroque Music and its presentation, that its composers and musicians (and almost certainly its listeners as well) would have been intensely... read more

Aroha Quartet: one of the year’s most wonderful lunchtime concerts

By , 06/12/2017
Though St Andrew’s free lunchtime concerts usually populate the church very respectably, a professional group like the Aroha Quartet (though I assume they play, like all performers in these concerts, without payment) tends to draw a larger crowd and that was the case this week. Both the reputation of the quartet and the choice of music accounted for the responsive audience today; it enjoyed quite long applause, and several... read more

Wellington Young Voices weave their own magic at Old St.Paul’s

About 30 young singers between the ages of 8 and 14, 10 of them boys, performed a delightful programme to a substantial audience. The programme included four Christmas carols for the audience to sing with the choir. The concert began with an attractive carol ‘Sing with the angels, Gloria!’, with words and music by Tawa music education supremo Shona Murray. The young singers soon showed that they were well-trained –... read more

Cataclysmic conclusion to Orchestra Wellington’s Diaghilev season

By , 02/12/2017
This concert began with two of the most famous chords in all nineteenth-century music, those which opened a thrilling performance by Orchestra Wellington of Beethoven’s “Eroica” Symphony, the work by which the composer allegedly intended to celebrate the achievements of Napoleon Bonaparte, but changed his mind, and, according to an eye-witness account, scratched out the original dedication, and reinscribed it as “composed in memory of a great man”. Napoleon or... read more

Vivante Ensemble’s Vaughan Williams and Mendelssohn set St.Andrew’s buzzing

By , 29/11/2017
The St Andrew's-on-The-Terrace Lunchtime Concert Series here in Wellington has over the years produced some memorable musical experiences, but surely none more exhilarating that what we heard given by the talented Vivante Ensemble on this occasion. To be variously entranced, mesmerized, captivated, energized and thoroughly intoxicated as a listener at a concert performance is to experience a "spirit of delight" which, as the poet laments, "rarely comest" to the... read more

A polished and scrupulously studied recital by male vocal quartet, Aurora IV

By , 22/11/2017
I’m fairly sure that this was my first hearing of Aurora IV, a male vocal quartet whose repertoire stretches from the 16th to the 21st century, though I have long been familiar with Simon Christie’s voice and recall hearing Richard Taylor in other groups, particularly The Tudor Consort. One of the characteristics of the recital was the choice of words and music from widely separate eras. Thus the opening piece... read more

Peter Pan – stardust forever at Circa Theatre

By , 18/11/2017

Now here was fun heaped up in spadefuls onto classic, tried-and-true fantasy with a splendid pantomimic treatment of J.M.Barrie's play "Peter Pan: the boy who wouldn't grow up", beloved of generations over a century of years. Writers Pinky Agnew and Lorae Parry, in their first-ever pantomime, managed to give us all the trappings of the art-form - music, slapstick comedy and topical jokes - while maintaining enough of... read more

NZSO players in special concert under Aisslinn Nosky with Baroque masters

By , 17/11/2017
It’s been a fine Baroque week in Wellington, at St Andrew’s, with an attractive lunch-time concert on Wednesday, with four strings from Wellington’s two professional orchestras and an NZSM harpsichordist; and this evening a special ensemble, of 18 players from the NZSO, plus harpsichordist Douglas Mews. The story behind this evening’s concert was elaborate. NZSO violinist Anne Loeser travelled to Toronto in the Summer of 2014 for an intensive Baroque... read more

NZSO and Orchestra Wellington string players in Baroque chamber music at St Andrew’s lunchtime

As with last week’s lunchtime concert from St Andrew’s, Lindis Taylor and I found ourselves in different parts of the church and both had scribbled notes. He graciously proposed that I cover the ground generally while he would merely add a few pedantic details. Again, no attributions. The theme of La Folia has been ascribed to Corelli, but it is much older. Research suggests that it emerged in the 15th... read more

Panorama Theme by Themocracy